The International Garden Festival has recently announce the projects selected for its 26th edition, titled Borders, which will run from June 21 to October 5, 2025. Ève De Garie-Lamanque, Artistic Director, has invited designers from all over to rethink the notion of border in today’s postcolonial context and to transpose these reflections into a garden environment that blurs disciplines, renegotiates preconceived ideas about garden/landscape, and actively dialogues with visitors. A total of 180 projects by designers from 27 countries were submitted.
The four gardens selected for the 2025 edition are:
BACK / GROUND
Patrick Bérubé | Québec, Canada
One of the great disasters of our times – aside from climate change – has been wrought in large part by the emergence of private property. The advent of domestication, then of agriculture, marked a major turning point in human history, following which people sought to control ecosystems and their cycles. BACK / GROUND triggers reconsideration of human activities and their environmental and social impacts. What emerges is a vision of the world in which nature is not simply a background but a living environment of which human beings are an integral part and from which they can dissociate themselves only through artifice or delusion.
Peek-a-Boo
Hermine Demaël, Stephen Zimmerer | Québec, Canada + United States
A border separates inside from outside, interior from exterior, self from other. When realized, that crudely drawn border occupies a thickened edge. What does it mean to spend time at the edge, to invest this liminal space?
Architecture is defined through the articulation of walls and enclosures. Peek-a-Boo flips one such border on its side to interrogate the edge between earth and sky, articulated as a colourful field of powder-coated steel grates. Four windows become trap doors which invite play, movement, and interaction. Between open and closed states, they suggest thirteen spatial configurations – a garden constantly in motion.
Scars of Conflict
Michael Hyttel Thorø | Denmark
Scars of Conflict is inspired by the physical devastation and psychological scars left by warfare. In the First World War, battles between warring nations left behind remarkable and nearly unrecognizable landscapes due to the intense artillery barrages. These landscapes reflect how borders—political, geographical, and cultural—can be violently reshaped by conflict, erasing our shared memories. Today, post-war sites serve a memorial purpose. They stand as symbols of resilience in the face of hardship.
You Shall (Not) Pass
Simon Barrette | Québec, Canada
In You Shall (Not) Pass, Simon Barrette challenges the limits, both visible and invisible, that map our environments, relationships, possessions, and thoughts. Composed of thousands of surveying markers strung onto steel wire – of the type used by surveyors to physically mark the edges of a property – the oversized bead curtain hangs in the middle of the forest. The monolithic installation cleaves the landscape, conjuring up the very archetype of a border.
Special Mention
Three projects received a special mention from the jury: EN CAS D’INTRUSION COMPOSEZ 511, by Boris Pintado (Qc, Canada); Le Langage de l’érosion, by Rémi Bonin and Vincent Morrier (Qc, Canada); and Lookout to a Scented Garden, by González Serrano Studio+ (Spain).
Jury
This year’s jury was composed of Vincent Guiné (Landscape Architect DE – Urbanist, Conseil d’Architecture, d’Urbanisme et de l’Environnement de Paris; Vice-President, Fédération Française du Paysage d’Île-de-France; Guest Lecturer, Département Projet, École Nationale Supérieure de Paysage de Versailles), Gabriel Lacombe (Architect OAQ; Landscape Architect; Visual Artist; Co-Founder, Atelier MAP), Lucie St-Pierre (Landscape Architect AAPQ, FCSLA; Senior Partner, Lemay), Alexander Reford (Director, Reford Gardens / International Garden Festival); Ève De Garie-Lamanque (Artistic Director, International Garden Festival); and François Leblanc (Technical Coordinator, International Garden Festival).
