National 9/11 Memorial was recently dedicated on the 10th Anniversary of 9/11/2001 when many people lost there lives during the attacks on the USA. The Memorial designed by PWP Landscape Architecture & Micheal Arad have not only created a powerful memorial where families and friends can come to grieve but also a city park that people can use everyday to sit under the trees and enjoy the New York skyline surrounding the site and watch the rebuilding of area with new towers. There are many design elements that required great thought, development and testing including the trees, waterfalls, name arrangement and these were developed by talented people to create the beautiful space we see today.
‘The rebuilding of both the memorial together with the surrounding buildings will give the American people a sense of rebirth from the terrible attacks of 9/11.’ Peter Walker
The second edition of WLA landscape architecture quarterly magazine is out now with a feature of the National 9/11 Memorial in New York by PWP Landscape Architecture and Michael Arad. The front cover features the Flight 93 Memorial in Shankville by Paul Murdoch Architects and interesting project that touches lightly on the landscape. We have several projects from across the world including Canada, Switzerland, South Africa, Saudi Arabia, China and other locations. We also published projects designed by Workshop:Ken Smith, OKRA, IBI, HASSELL and others. This edition also includes a review of the new book Sunburnt that gives a great insight into contemporary landscape architecture in Australia.
As an entry to an international ideas competition, HM White proposes to develop seven-acres of former industrial land on New York City’s East River as both a dynamic public park organized for waterfront recreation and a unique cultural venue choreographed for theatrical expression and experience—“Performance Park”.
The Stage 2 section of the Highline designed by James Corner Field Operations with Diller Scofidio + Renfro, Piet Oudolf, and Buro Happold has opened to the public. The opening of the new section doubles the length of the public park. After years of planning, design and construction, the High Line is now one mile long, running from Gansevoort Street to West 30th Street, connecting the Meatpacking District, West Chelsea, and Hell’s Kitchen.
Cronocaos, OMA’s exhibition on the increasingly urgent topic of preservation in architecture and urbanism, opens today at the New Museum in New York. First shown at the 2010 Venice Architecture Biennale, Cronocaos examines the growing “empire” of preservation and its consequences for the way we build, demolish, and remember.
Around 12 percent of the planet now falls under various regimes of natural and cultural preservation. “Through our respect for the past, heritage is becoming more and more the dominant metaphor for our lives today – a situation we call Cronocaos,” OMA founding partner Rem Koolhaas says. “We are trying to find what the future of our memory will look like.”