The 07 edition of WLA Landscape Architecture Quarterly Magazine was recently published and the search is on again for great landscape architecture projects for the 08 edition. We have opened submissions for the 08 edition of WLA and we are looking for interesting projects (built and unbuilt) from across the world. We accept submissions from landscape architects (professionals and students), urban designers, landscape designers, architects, artists, and other built environment professionals but all projects must be focused on the landscape.
Just arrived in the WLA mailbox is the Autumn edition of Landscape – The Journal of the Landscape Institute. This edition covers the Landscape Institute Awards 2012 and also a few interesting articles about 2016 Olympics Rio masterplan, Remaking Cities and the Highline for London Competition. The section I enjoyed reading was Debate – Should landscape architects be activists?. Landscape is published quarterly by the Landscape Institute.
Pinterest is a great way to curate images for the office image library and projects. Starting is as easy as setting up a user account and then creating ‘Boards‘ which are like categories for your images so for landscape office you might start with ‘Boards’ like trees, plants, urban parks, squares, stone, and so on and then start collating images by uploading from your computer, phone or ‘pinning’ images from websites. You just need to remember that the images you are ‘pinning’ are public for everyone on the web to see which can be good for publicising your work or what your working on, but you might want to keep it in-house which I’ll cover later.
This project was an opportunity to bring together the laying out of a long linear landscape that crosses different, well defined, territories, and a more universal reflection on the reading of the landscape through a strong and structuring element like the Berry Canal. It is a reading of the landscape that allows one to take the step back that is indispensable for this type of project, and facilitates a fine approach to places and their dynamics, in order to make them explicit and therefore identifiable by the public.