WLA #08 Submissions are open

The 07 edition of WLA Landscape Architecture Quarterly Magazine was recently published and the search is on again for great landscape architecture projects for the 08 edition. We have opened submissions for the 08 edition of WLA and we are looking for interesting projects (built and unbuilt) from across the world. We accept submissions from landscape architects (professionals and students), urban designers, landscape designers, architects, artists, and other built environment professionals but all projects must be focused on the landscape.

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JUST ARRIVED | Landscape

LI_Landscape
Just arrived in the WLA mailbox is the Autumn edition of Landscape – The Journal of the Landscape Institute. This edition covers the Landscape Institute Awards 2012 and also a few interesting articles about 2016 Olympics Rio masterplan, Remaking Cities and the Highline for London Competition. The section I enjoyed reading was Debate – Should landscape architects be activists?. Landscape is published quarterly by the Landscape Institute.

Guide to using Pinterest to curate images in design offices and schools


Pinterest is a great way to curate images for the office image library and projects. Starting is as easy as setting up a user account and then creating ‘Boards‘ which are like categories for your images so for landscape office you might start with ‘Boards’ like trees, plants, urban parks, squares, stone, and so on and then start collating images by uploading from your computer, phone or ‘pinning’ images from websites. You just need to remember that the images you are ‘pinning’ are public for everyone on the web to see which can be good for publicising your work or what your working on, but you might want to keep it in-house which I’ll cover later.

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This Week in Landscape | 4 November

This Week in Landscape 4 November

Fallen lindens at the Great Lawn in Central Park | Image Courtesy Central Park Conservancy

This weeks landscape links from across the world

A New Philanthropic Threshold — The Significance of Central Park’s Gift | Charles A. Birnbaum | Huffington Post

Philanthropy and public-private partnerships should not be faulted but encouraged, especially following Hurricane Sandy’s damage to the parks when it’s most needed.

Over 250 trees damaged in Central Park by Hurricane Sandy | Central Park Conservancy
Hurricane Sandy destroyed more than 250 mature trees in Central Park as well as infrastructure, including fencing and benches, throughout the Park’s 843 acres.

A post-hurricane argument about New York’s waterfront infrastructure | Dana Rubenstein | Capital New York
One of several strategies the RPA suggested exploring is tidal barriers, of the sort used in London and Rotterdam.

How to make a landscape edible look incredible | Mary James | UT San Diego
….integrate edibles within an ornamental “backbone.” This way there will always be something to look at, even when edibles have been harvested.

Iskandar – Asia’s newest megacity or a cookie cutter template for cities? | Damian Holmes | LAND Reader
There seems to be this constant rush for ‘experts’ and urban planners to create a ‘template’ for the green, low carbon, sustainable, (insert latest buzz word) city, and ignoring the reason many cities attract people.

 How cyclists and pedestrians can share space on canal towpaths | Laura Laker | Guardian
You are welcome to cycle here but you have got to do it with respect for others. That is what all cyclists need to hear loud and clear.”

Hurricane Sandy on Bikes in NYC from Casey Neistat on Vimeo.

Banks of Berry Channel | Cher France | TN PLUS

Banks of Berry Channel | Cher France | TN PLUS
This project was an opportunity to bring together the laying out of a long linear landscape that crosses different, well defined, territories, and a more universal reflection on the reading of the landscape through a strong and structuring element like the Berry Canal. It is a reading of the landscape that allows one to take the step back that is indispensable for this type of project, and facilitates a fine approach to places and their dynamics, in order to make them explicit and therefore identifiable by the public.

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