Revitalization of an urban community and surrounding dike park on the south banks of the Elbe River in Hamburg, Germany. West 8’s winning design addresses rising sea levels and climate change, bringing a human scale to an area dominated by automobile traffic.
Continue reading West 8 wins design competition for Veddel North in Hamburg
The history of Park Killesberg has its origins in the industrial use of the site as a quarry. Known as “Stuttgarter Werkstein” (Stuttgart Ashlar) this sandstone was mined intensively for a long time and left a jagged artificial topography, just like an open wound in the landscape. The design is conceived as the interweaving of two themes that mark the Killesberg: a soft landscape close to nature and man-made quarries as hard topographies. The result is a landscape that tells its own story.
Continue reading Park Killesberg | Stuttgart Germany | Rainer Schmidt Landschaftsarchitekten
IMAGE CREDIT | B.Doherty
Zollhallen Plaza is new counterpart for the historic customs hall which was restored in 2009. The plaza is a fine example of water sensitive urban design, as it is disconnected from the sewer system. Beautiful planters provide infiltration points, and subsurface gravel trenches with innovative in-built filter medium reduce the hydraulic overload on the sewer system.
Zollhallen Plaza, Freiburg, Germany from Atelier Dreiseitl on Vimeo.
Continue reading Zollhallen Plaza | Freiburg Germany | Atelier Dreiseitl
The urban structure – to release the Square – is in remembrance to the former church Garnisonskirche. The open space is divided into three different areas. In the extension of the Spandauer Straße a generous urban square forms the central element of the development and defines a representive entrance for the adjacent residents.
Continue reading Hackesches Quartier | Berlin Germany | TOPOTEK1
Like a pool of water reflecting the sky, placed at the castle of Ehrenbreitstein, creates a flux of images incorporating the walls and building. Creating a heightened experience of its surroundings, it involves the beholder in a game of perception, intriguing to find the «right» view of the motif. Ever since French landscape painters like Claude Lorrain and Niclas Poussin defined their ideal of the landscape in the mid 17th century, gardeners and architects had the task of creating the Real World inspired by these framed images – something that today almost appears as an inverted reality.
Continue reading Rhein Romantik | Koblenz Germany | TOPOTEK 1