The use of the word “hof” within an English translation refers to a courtyard, farmyard, halo, quad or even corona. Historically the roots of this word traditionally translated as “temple”, none the less each describes a state of enclosure and sanctuary. McGregor Coxalls proposal for conversion of the Tempelhof Airfield in Berlin, Germany strategically integrates this poetic understanding with the sites existing built form, history, infrastructure and broader urban context.
Continue reading Tempelhof Parklands Proposal | Berlin Germany | McGregor Coxall
The study explores the application of edible plants in modern cities, in order to help understand today’s trends shaping the urban environment. Edible Landscaping is referred to as the practice of incorporating food – producing plants in the landscape. Fruit and nut trees, vegetables, herbs, edible flowers and shrubs with berries can be combined to create an attractive design that produces fruits and vegetables for home consumption. It is an approach to food production where exotic ornamentals are replaced with edible or productive plants.
Continue reading STUDENT PROJECT | Edible Landscapes | Milkana Mladenova
West of Cologne the RWE trust is creating the biggest open brown coal pit in Europe. The mine will be open until 2050 and will reach a depth of 400 meters below the existing surface level. The remaining hole will be filled with groundwater until 2100, thus becoming the second largest inland lake in Germany.
The urban structure – to release the Square – is in remembrance to the former church Garnisonskirche. The open space is divided into three different areas. In the extension of the Spandauer Straße a generous urban square forms the central element of the development and defines a representive entrance for the adjacent residents.
Continue reading Hackesches Quartier | Berlin Germany | TOPOTEK1
Like a pool of water reflecting the sky, placed at the castle of Ehrenbreitstein, creates a flux of images incorporating the walls and building. Creating a heightened experience of its surroundings, it involves the beholder in a game of perception, intriguing to find the «right» view of the motif. Ever since French landscape painters like Claude Lorrain and Niclas Poussin defined their ideal of the landscape in the mid 17th century, gardeners and architects had the task of creating the Real World inspired by these framed images – something that today almost appears as an inverted reality.
Continue reading Rhein Romantik | Koblenz Germany | TOPOTEK 1