Charles Waldheim provides a “sampler” in this video of his recent book projectLandscape as Urbanism: A General Theory – a monograph of landscape urbanism which consolidates what is known about the new field of Landscape Urbanism.
“Charles Waldheim is a North American architect and urbanist. Waldheim’s research examines the relations between landscape, ecology, and contemporary urbanism. He coined the term ‘landscape urbanism’ to describe the emergent discourse and practices of landscape in relation to design culture and contemporary urbanization. Waldheim is author of Landscape as Urbanism: A General Theory and editor of The Landscape Urbanism Reader. Waldheim is John E. Irving Professor of Landscape Architecture at Harvard University’s Graduate School of Design where he directs the School’s Office for Urbanism” – UM School of Architecture
The Maeder-York Family Fellowship recognizes an emerging designer whose work articulates the potential for landscape as a medium of design in the public realm. The residential Fellowship is awarded through a juried international portfolio competition and builds upon the Gardner’s Artist-in Residence programs that have fostered creativity and collaboration in the arts for over two decades.
In 2014, The Maeder-York Family Fellow in Landscape Studies will be in residence in one of the Renzo Piano-designed apartments at the Museum for three months during the summer. A public event centering on a discussion of their work is scheduled for the evening of June 12, 2014.
The Isabella Stewart Gardner Museum unveiled today the Museum’s historic Monks Garden redesigned by Michael Van Valkenburgh. The Garden, which was originally designed by Isabella Stewart Gardner during the installation of the Museum in 1901, has been reinstalled several times since that time. Van Valkenburgh was commissioned in 2012 to redesign the cloistered garden adjacent to the historic building and connected to the exterior gardens which surround the Museum’s new wing designed by Renzo Piano.
Composite Landscapes examines one of landscape architecture’s most recognizable representational forms, the montage view. The exhibition gathers work from a select group of influential contemporary artists and a dozen of the world’s leading landscape architects. Contributors include Adriaan Geuze, Michael Van Valkenburgh, Richard Weller, James Corner, Claude Cormier and many others.
These composite views reveal practices of photomontage depicting the conceptual, experiential, and temporal dimensions of landscape. The first exhibition of its kind in North America, Composite Landscapes illustrates the analog origins of a method now rendered ubiquitous through digital means. In revisiting the composite landscape view as a cultural form, Composite Landscapes illuminates the contemporary status of the photographically constructed image for the design disciplines, and beyond.
Martha Schwartz recently gave a one and half hour presentation at Harvard GSD about her firm’s works and recently published book Recycling Spaces: Curating Urban Evolution: The Work of Martha Schwartz Partners. Martha Schwartz is Professor in Practice of Landscape Architecture at the GSD. A landscape architect and artist for over 29 years, she teaches a core studio and design studios focusing on artistic expression in the landscape.
Another week of great landscape links from around the world.
Disney World on the Hudson | Jeremiah Moss | NY Times Op-ed
This article sparked debate this week as Moss came out and stated that “The High Line has become a tourist-clogged catwalk and a catalyst for some of the most rapid gentrification in the city’s history.” Causing a few interesting conversations on the interwebs.