Paralleling the opening of London’s luxury NEO Bankside development next to the Tate Modern is the unveiling of a new city-centre green landscape. At NEO Bankside, Gillespies has created a series of richly-detailed garden spaces around the footprint of the apartment pavilions, designed by architects RSHP. The final landscape features soft planting inspired by native woodlands, balancing beautifully with the contemporary lines of the buildings. Unusually in the heart of a city, the outdoor spaces offer NEO Bankside’s residents opportunities to engage with nature, and create a new micro-ecological environment in this established urban setting. Continue reading NEO Bankside | London UK | Gillespies
The European Council of Landscape Architecture Schools (ECLAS) will hold its annual Conference in Hamburg from 22 to 25 September 2013. ECLAS has put out the call for papers for the 5 topics – NATURE HAPPENED YESTERDAY, WHO OWNS THE LANDSCAPE?, BEST PRACTICE LANDSCAPE ARCHITECTURE, LANDSCAPE AND STRUCTURES and EVENTS AND CONVERSION. The conference will be hosted by the Hafen City University Hamburg and is curated and coordinated by the Department of Landscape Architecture, Prof. Christiane Sörensen.
With the opening of her Boston home in 1903, Isabella Stewart Gardner “presented a new context for art in America by creating a museum where visitors experienced music, the beauty of gardens, and historic and contemporary art, all in the highly personal setting of her courtyard palace.” Over a century later, the expansion of the Museum was undertaken to enhance these inspiring encounters with music, gardens, and art as well as support the curatorial, educational, and visitor service mission of the Museum. Continue reading New Gardens of The Isabella Stewart Gardner Museum | Boston USA | L+A Architecture
The proposed intervention seeks to make the most of the existing landscape in the region, while at the same time surrounding the building with the quality it deserves. The building which covers the land will also be surrounded by vegetation aimed at emphasising the rural nature of the site, using potential and indigenous vegetation.
Like a baroque garden that makes a connection between heaven and earth with mirror-like pools and broderie parterres, so Topotek 1’s design for the ‘théâtre de signes’ makes a connection from the physical to the virtual world, with the structure of new broderie bosquets. The shape of the garden as viewed from the air is part of a coded language, providing new characters for a contemporary reading.