View from Biscayne Boulevard - Planting at grade has a native focus in which environment suggests planting strategy.
Landscape design for a 5 level, state of the art Science Museum in the heart of Downtown Miami. The site is comprised of 4 acres and will share an elevated plaza with the new Miami Art Museum.
The Miami Science Museum will be an institute of technology, education and the environment, and the landscape design will serve as an extension of this. Outfitted with a 17,000 sf garden roof, ½ acre rain garden, and civic scaled plaza; the landscape design plays a major role in the Museum experience. In addition to illustrating regional landscape types, this “functioning landscape” reduces water use, improves water quality, enhances biodiversity, provides educational opportunities, and even produces food. Continue reading Miami Science Museum | Miami USA | Arquitectonica GEO
Walter Hood is the principal of Hood Design in Oakland USA and also a Professor at the University of California, Berkeley. His work has a strong connection to working with communities and their spaces. In this short 3 minute video (for Architectural Digest and Delta) Walter Hood talks about some of his projects and also his approach to design.
“…paying attention to where you are and the people around you and out of that comes the expression”
The Canadian Museum of Civilization, designed by Canadian architect Douglas Cardinal and inaugurated in 1989, is comprised of two pavilions, their architecture a startling embodiment of the country’s distinguishing geographical features. The public display wing replicates the dramatic effect of the glaciers; the contours of the curatorial wing symbolize the majestic Canadian Shield; and the open Plaza simulates the vast Great Plains. The layout and sheer size of the Plaza were planned in such a way as to visually incorporate the Museum buildings and the Parliament Buildings perched across the Ottawa River. However, the Plaza’s lack of appeal had left it empty of visitors for much of the year. To remedy the situation, we extended the Museum’s original conceptual metaphor, bringing to life what had long remained latent: the swaying grasses of the Prairies.
“Ojama” is a Japanese word which generally means to evoke a sense of interruption or an interim pause.
The Ojama installation is about creating a hindrance or momentary interruption in our daily experience of space. This temporary art installation is an exploration of space, time, materiality, and our experience of nature in the urban environment.