In the old abattoir of Rome- today the Museum of Contemporary Art- two public gardens dealing with botanical spontaneity. On the occasion of Enel contemporanea 2012, an international art event that takes place in Rome annually, 75m of evergreens, perennial herbs and impromptu flowers alternate in volume and density and translate the vitality and ecological memory of the old meat district of Testaccio.
Continue reading Landscape Testaccio | Rome Italy | Melania Bugiani
XYZ Cultural Technology created both the technical concept and the programming for the multimedia installation that brings to life the night-time sound-and-light show projected on the façade of the new Gran Museo del Mundo Maya in Merida, Mexico. “It’s an immense, dynamic visual and audio panorama that traces the history of the Maya community,” explains Jacques Larue, partner at XYZ, “entrenched in the birth of the world and bearing the seeds of the Yucatán’s modern identity.”
Continue reading Grand Musée du Monde Maya de Mérida | Merida Mexico | XYZ Cultural Technology
The Mission Hills Hot Springs and Spa is an outdoor themed amenity area for the new 500 room luxury Mission Hills Haikou hotel. The site is approximately 65,000m2 of lush tropical landscape and rockwork and nearly 300 themed individual pool spa experiences from around the world.
Continue reading Mission Hills Hot Springs and Spa | Haikou China | EDSA
Composite Landscapes examines one of landscape architecture’s most recognizable representational forms, the montage view. The exhibition gathers work from a select group of influential contemporary artists and a dozen of the world’s leading landscape architects. Contributors include Adriaan Geuze, Michael Van Valkenburgh, Richard Weller, James Corner, Claude Cormier and many others.
These composite views reveal practices of photomontage depicting the conceptual, experiential, and temporal dimensions of landscape. The first exhibition of its kind in North America, Composite Landscapes illustrates the analog origins of a method now rendered ubiquitous through digital means. In revisiting the composite landscape view as a cultural form, Composite Landscapes illuminates the contemporary status of the photographically constructed image for the design disciplines, and beyond.
Composite Landscapes: Photomontage and Landscape Architecture is showing at Isabella Stewart Gardner Museum in Boston from June 27 – September 2, 2013
Continue reading EXHIBITION | Composite Landscapes: Photomontage and Landscape Architecture