SCPTIPMFLIPPES | A device for viewing the maritime landscape | (dp)ª STUDIO

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Escape from the alien or the hot sand. Photo | Domenico Pastore

The SCPTIPMFLIPPES (Strumento Cavo Per Traguardare Il Paesaggio Marittimo Fissando Labili Immagini Pronte Per Essere Sublimate) is a small project developed with 3d-printing technology, a device for viewing the maritime landscape. The coast is traditionally thought of as wild and pristine, but as activities and amenities from cities spread to the shoreline, a place that was once considered a refuge is becoming connected to everyday life. The SCPTIPMFLIPPES is a tool to isolate portions of maritime landscape, removed from the (visual) ground noise. The object is a pure geometric form, black, dug inside as if it had undergone the water erosion process.

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A winter installation of 30 giant seesaws in Montreal

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Impulse, a winter installation comprising 30 giant seesaws that will transform the Place des Festivals into a vast illuminated playground, accompanied by a set of all-new video projections. The creation is the work of Toronto-based firm Lateral Office and Montreal-basedCS Design, in collaboration with EGP Group of Montreal.

The consortium, chosen through an open competition for the sixth annual Luminothérapie event, has created a playful interactive space that will warm hearts of all ages during the cold season. The video below shows the process of building and testing the seesaws.

“Every year, we are eager to give Montrealers a new creative winter experience in the heart of the Quartier des Spectacles. Luminothérapie’s public installations transform our relationship with the city, beautify it, and give it a wonderful friendly touch. Luminothérapie also keeps Montreal shining bright around the world as a hub of interactive art,” said Chantal Rossi, Ville de Montréal Associate Councillor Culture, Heritage and Design.

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Flatiron Public Plaza Holiday Design Competition unveiled

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Image Credit | (c) 3M

This week, the Flatiron / 23rd Street Partnership Business Improvement District (BID) and Van Alen Institute unveiled SOFTlab’s Nova, the winner of the Flatiron Public Plaza Holiday Design Competition that serves as the centerpiece of the Partnership’s annual holiday programming and a highly visible landmark in this thriving neighborhood of New York. The second annual competition of its kind, the initiative called for proposals from New York design firms for a temporary installation for the holidays at the heart of the Flatiron District.

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Image Credit | (c) 3M

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Putting play back on the city agenda with PLAY[ground]


HASSELL recently teamed up with not for profit organisation Archikidz and Sydney Living Museums, on a playful project to make kids seen and heard in the city. Together, the team created PLAY[ground] – a place that would inspire tomorrow’s thinkers and city makers to play, experiment and toy with ideas about the future shape of our cities.

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Urban Oasis | Gold Coast Public Art Commission

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We’re commissioning an artist, or artist led team, to design and deliver a major public artwork – an Urban Oasis in the heart of one of Australia’s bustling tourist cities. A design competition to choose the successful artist or artist led team is open now to local, national and international artists. The winning design will receive a $AUD330,000 commission.

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Sail Boxes | Boston, USA | Virginia Melnyk Designs

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The Sail Boxes were constructed as a temporary play structure for the Boston PlayDay 2015 at the Lawn on D.

Bright and colorful spandex fabric stretches over a box-like bamboo framework to create a unique play experience which offers a diverse range of interactions. The asymmetrical layout of the fabric creates a maze-like obstacle course where children are encouraged to push and pull on the fabric as they navigate through the structure.

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Green Varnish by Nomad Studio at Contemporary Art Museum St. Louis

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Image Credit | Laura Santin

Green Varnish explores the necessity of hiding inconvenient realities with polite beauty. A green fabric elegantly covers all the inopportune facts. 

We ignore inconvenient information. It is admirable how reactionary we are toward information that brings implicit changes; obviously, we have lost perspective of our role within this large system of life of which we belong. Life is change and we forcefully reject impermanence.Flexibility, adaptability and diversity are key aspects of a resilient system; a system in a dynamic equilibrium.  Our landscapes, the intricate relationships between culture and territory, speak of rigidity, in-adaptability and fragmentation. Hence, they are unbalanced landscapes, condemned to intensive restructuring.

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Image Credit | David Johnson

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