Serpentine Gallery Pavilion 2012 Designed by Herzog & de Meuron and Ai Weiwei | Image © 2012 Iwan Baan
Herzog & de Meuron and Ai Weiwei have created the 2012 Serpentine Gallery Pavilion. It is the twelfth commission in the Gallery’s annual series, the world’s first and most ambitious architectural programme of its kind. The design team responsible for the celebrated Beijing National Stadium, which was built for the 2008 Olympic Games has come together again in London in 2012 for the Serpentine’s acclaimed annual commission, presented as part of the London 2012 Festival, the culmination of the Cultural Olympiad. The Pavilion is Herzog & de Meuron and Ai Weiwei’s first collaborative built structure in the UK.
Continue reading Serpentine Gallery Pavilion 2012 | London UK | Herzog & de Meuron and Ai Weiwei
Angel Cerezo’s graduation project at Universitat Politecnica de Catalunya (Barcelona). The project titled LINE looks to recover and design one historical street in Eindhoven, Netherlands.
Continue reading Student Project | LINE | Angel Cerezo
Like a pool of water reflecting the sky, placed at the castle of Ehrenbreitstein, creates a flux of images incorporating the walls and building. Creating a heightened experience of its surroundings, it involves the beholder in a game of perception, intriguing to find the «right» view of the motif. Ever since French landscape painters like Claude Lorrain and Niclas Poussin defined their ideal of the landscape in the mid 17th century, gardeners and architects had the task of creating the Real World inspired by these framed images – something that today almost appears as an inverted reality.
Continue reading Rhein Romantik | Koblenz Germany | TOPOTEK 1
Powerless Structures, Fig. 101 (Image Credit: Flickr User Magnus D)
The new commission for the Fourth Plinth, Powerless Structures, Fig. 101, by artist duo Elmgreen & Dragset, was unveiled recently in London’s Trafalgar Square. The child is elevated to the status of a historical hero in line with the existing iconography of the other statues in the square. Instead of acknowledging the heroism of the powerful, however, the work celebrates the heroism of growing up. The image of a young boy astride his rocking horse encourages viewers to consider the less spectacular events in their lives, which are often the most important. The sculpture invokes life’s everyday activities and questions the tradition of monuments predicated on military victory or defeat.
Continue reading Powerless Structures, Fig. 101 unveiled on the Fourth Plinth in London