The creekwalk of Syracuse is back. Again.
We’ve been talking about this grand civic project for at least 45 years. Steve Buechner, a landscape architect with a full career behind him, tells me he first got the idea for a “creekwalk” in 1965 when he worked for Syracuse’s parks commissioner at the time, Jim Heath.
read the full article at the SOURCE: syracuse.com – Syracuse’s creekwalk work back underway – it will connect Armory Square to Onondaga Lake
Ken Belson of the New York Times has written an interesting piece about green walls which looks at the green wall as a source of food production. Belson talks to a varied number of designers, universities and manufacturers about the green walls as food production. He also states that at $500 a panel they aren’t for everyone.
Belson has a great quote he cites from Paul Mankiewicz, the executive director of the Gaia Institute in New York.
“We have 30 miles of rooftop in New York City and maybe 3,000 miles of walls,”
Read the article at the SOURCE: New York Times – The Rooftop Garden Climbs Down a Wall
Ray Edgar of theage.com.au has written a feature article about landscape architecture. Edgar interviews some landscape architects in Victoria, Australia for the feature and they have some key insights into the role of landscape architecture in society. Here are some of the key statements and encourage you to read the full article.
“Landscape architecture used to be the ‘parsley on the pig’, the token decorative garnish around the building,” says RMIT research leader Dr Sue Anne Ware.
“Landscape architecture is sociology and what interests us is how people use space, feel a sense of ownership over that space, and appropriate it in a socially responsible manner,” said Chris Sawyer of Site Office.
Read the full article at the [SOURCE: The Age - New Park Life]
WRT’s New York office have installed living sculptures in the Urban Garden Room at Bank of America Tower’s 60-foot high street-level atrium space at One Bryant Park, New York. The Durst Organization, the building’s owner and developer, commissioned WRT to create an appropriate – natural – signature for New York City’s first LEED Platinum office tower. The designers created a sculptural solution: four monumental landscape sculptures, ranging in height from a 7-foot monolith to a 25-foot archway. They have been carefully positioned in the light-filled space at the building’s entrance to create an immersive experience. The WRT team included lead designer Margie Ruddick and sculptor Dorothy Ruddick. The Montreal-based firm Mosaiculture Internationale fabricated the sculpture from scale models using galvanized steel frames. Created in multiple pieces, each sculpture contains an internal irrigation system that was wrapped with porous fabric, then hand-composed with thousands of ferns, mosses, and lichens. When completed, the living sculptures were loaded onto three 52-ton trucks, transported from Canada and carefully assembled on site by a professional installation crew over a 42-hour period. Now known as the Urban Garden Room, the new living green space is a daily pleasure for building users and a delightful urban surprise for busy passersby, offering a welcoming, soothing reprieve from the clamor of everyday city life.
Journal of Commerce reports
The biggest living roof in Canada is surrounded by water on three sides, and the marine deck on which the building sits is supported by stilt-like piles. It also features slopes of up to 53 per cent.
Bruce Hemstock, of PWL Partnership, a Vancouver landscape architecture and consulting firm that worked on the project, said the roof portion of the job was one of the most technically challenging assignments his firm has taken on in its 35 years in the business.
Read the full article at the SOURCE: Journal of Commerce – Creating Vancouver Convention Centre’s green roof no simple task