Architect Vincent Callebaut’s latest project balances public galleries, meeting rooms and gathering spaces over canals and abandoned railroad tracks in the 19th Parisian district. The prototype uses green technologies and techniques but is more than just an example of sustainable design. Callebaut’s ‘Anti Smog: An Innovation Centre in Sustainable Development’ is a catalyst for cleaner air.
Read more @ Inhabitat » Anti Smog Architecture: A Catalyst for Cleaner Air in Paris by Ali Kriscenski
Danish architect Tim Norlund has beaten over 100 entries to gain first prize in the Sheffield Parkway footbridge competition.
Norlund joined forces with Ramboll Whitby Bird after his design was short-listed to the second stage in the competition. They will work together with the client team at Sheffield and Rotherham Councils, to take the scheme forward.
Read more @ Builder & Engineer – Sheffield Parkway bridge design winner.
The buildings that Canadian architects talk about are inevitably the ones that come to shape Canadian cities. Many of them are on the public’s radar, as well: Daniel Libeskind’s Royal Ontario Museum Crystal addition, for example, or Frank Gehry’s Transformation project for the Art Gallery of Ontario.
But within the design business, it’s often the lesser-known buildings, many of them not in Canada, that have the most impact. What follows are a few buildings that savvy architects say are the most influential right now, either as inspiration or as cautionary tale.
A building’s influence today depends on three areas of interest, says Larry Richards, the former dean of the Faculty of Architecture at the University of Toronto: “new materials, sculptural experimentation and sustainability.” For new materials, he notes the extruded pink plastic on the exterior of the new Umbra store in Toronto by Kohn Shnier Architects. And the silvery aluminum mesh on the exterior of Manhattan’s New Museum of Contemporary Art by Tokyo-based Kazuyo Sejima and Ryue Nishizwa (jointly known as SANAA), which gives the structure a hard edge at a distance and an up-close softness.
Read more @ Architecture: It’s not for sissies. – National Post – Kelvin Browne
If art school was in our future we might opt to study under, or on top of, the amazing green roof at the School of Art, Design and Media at Nanyang Technological University in Singapore. This 5 story facility sweeps a wooded corner of the campus with an organic, vegetated form that blends landscape and structure, nature and high-tech and symbolizes the creativity it houses.
Read and See more @ Inhabitat » Amazing Green Roof Art School in Singapore.
Over the last two decades China has become known as the factory of the world; “Made in China” has often come to symbolize cheapness, sub-standard quality and lack of originality. More recently however, thanks to a booming economy, political deregulation and social development, China has witnessed the gradual evolution of a free-thinking generation of creative individuals who have broken free from the system to express themselves in profound and innovative ways.
As part of this movement, growing numbers of Chinese architects, emboldened by the general fervor currently gripping China’s artistic community, are designing buildings which are slowly but surely imprinting a new identity on the Chinese built landscape.
At the forefront of this architectural revolution have been Ma Yansong, a young US-educated Chinese architect, and his Beijing-based architectural agency MAD, founded in 2002. MAD took the international architectural scene by storm in 2006, as the first Chinese studio ever to win an design competition outside China. The “Absolute Tower” in Toronto, Canada, is scheduled for completion in 2009.
Read more @ Trend: Creativity Made in China – MAD Architects | CScout TrendBlog.