The Organising Committee of the Ideas Competition for Bruce Lee’s Residence announced the results for The Ideas Competition for Bruce Lee’s residence, launched on July 20, 2009, aimed to turn the former residence of the late Mr Bruce Lee into an attraction to commemorate Mr Lee’s contribution to martial arts and the film industry.
The competition was open to all in Hong Kong, the Mainland and overseas countries and comprised two categories – the Professional Group and the Open Group. Over 140 entries were received from across the world and local team Cheung Kwai-yin and landscape architect Jimmy Yuen, won in the professional category of the design contest. The design, titled Journey of the Little Dragon, features a vaulting exhibition hall with an undulating ceiling, and a mirrored room named Tower of Death.
An roving exhibition of all the entries is available at Hong Kong City Hall from January 23 to February 4, Hong Kong Cultural Centre from February 9 to 16, and Shatin Town Hall from February 23 to March 6.
With the January 26 deadline looming for firms to register their interest in the international design competition and 90 firms already registering interest, the CityArchRiver 2015 Foundation announced the members of the competition jury. The jury consisting of landscape architects, architects, urban designers, critics, curators and a former Deputy Director of the National Park Service coming from across the USA.
· Gerald Early, Merle Kling Professor of Modern Letters and Director of the African and Afro-American Studies at Washington University in St. Louis
· Denis P. Galvin, former Deputy Director of the National Park Service
· Alex Krieger, founding principal of Chan Krieger Sieniewicz, architecture and urban design firm and professor at the Harvard School of Design, Cambridge, Mass.
· David C. Leland, an urban strategist and managing director of the Leland Consulting Group, Portland, Ore.
· Cara McCarty, curator of the Smithsonian’s Cooper-Hewitt National Design Museum, New York City
· Laurie D. Olin, partner and landscape architect of the OLIN Studio, Philadelphia
· Carol Ross Barney, founder and Principal of Ross Barney Architects, Chicago
The winning design will be announced in October 2010, with the resulting work completed by October 28, 2015 – the 50th anniversary of the completion of the Arch.
Firms have until Jan. 26, 2010 to register for the competition and submit for Stage I of the competition. The jury will then select those firms with the most outstanding portfolios to continue in the competition.
Submissions were received from all over the world from a wide range of artists, designers, and architects, including emerging as well as established practitioners. Among the many works in the exhibition are projects by artists Alice Aycock, FAKE DESIGN (Ai Weiwei), Anish Kapoor, Sarah Morris, Wangechi Mutu, Mike Nelson, Paul Pfeiffer, Doris Salcedo, Lawrence Weiner, and Rachel Whiteread; designers such as Fernando and Humberto Campana, Martí Guixé, Joris Laarman Studio, and Studio Job; and architects such as Álvaro Siza Vieira Arquitecto, BIG (Bjarke Ingels Group), Greg Lynn FORM, junya.ishigami+associates, MVRDV, N55, Philippe Rahm, Snøhetta, Studio Daniel Libeskind, Toyo Ito & Associates, Architects, and West 8. In addition to the exhibition in the Thannhauser and Annex Level 4 galleries, Contemplating the Void will be accompanied by a comprehensive exhibition Web site, which will document each submission and feature introductory essays texts by Nancy Spector and David van der Leer.
The Australian Institute of Architects has announced a shortlist of proposals for the Australia Pavillion at the Venice Biennale. The shortlist of 24 was selected from 129 submissions addressing urban spaces in 2050 and beyond.
Some of the proposals include:
New cities of 50,000-100,000 in desert areas
Cities which feature a ‘tartan-like texture of pure urban areas (or cells), pure rural cells, and cells which are a hybrid of rural and urban’, providing a ‘vital flexibility for a sustainable future’.
Cities hugging the coast from Noosa to Geelong to accommodate population growth and the preferred coastal climate; connected by a ‘very fast train running from North Qld to Victoria; pockets of vertical sprawl; new cities in pristine locations such as Botany Bay and the Royal National Park.
Cities in which ‘within tightly controlled boundaries exist Multiple Cities‘. Cities which address issues such as: what if a city grows not out, but up or down? What if a city’s growth boundary is not on its periphery but at its heart? What if new planning initiatives were introduced governing the use of air space? ‘A Green City, where the top plane provides wind and solar energy to power (and cool) the multiple cities below’, as well as all food production.
Cities ‘woven into the landscape’ – balancing dense human settlement with flora and fauna biodiversity, with major roadways converted into natural landscape corridors.
The competition fired the imagination of Australia’s architects and designers, resulting in inspired, possible solutions and imaginative proposals addressing the critical issue of Australian urbanism – examining possibilities across the terrestrial, underwater and airborne realms.
The two-part ‘NOW + WHEN Australian Urbanism‘ exhibition will highlight three of Australia’s most interesting urban regions as they are ‘NOW’, before dramatically representing around seven futuristic urban environments from the competition as they may be ‘WHEN’ we reach 2050 and beyond.
Co-Creative Director and well-known Melbourne-based photographer John Gollings said: “The large number of entries and range of approach and philosophy exceeded expectations. We felt that more than 50 per cent of the entries could have made an important contribution to the Venice Architecture Biennale, and narrowing the selection down to 24 was difficult.
“Of great interest now, is that these varied ideas must be turned into tangible 3D models which can be screened as virtual, built projects for exhibition in the Australian Pavilion in Venice. This process will challenge the normal speculative imaging often produced by architects, and lead to new presentation techniques benefiting the whole profession as the world embraces 3D, virtual, and holographic media. From the test results with our 3D projectors, now running in Melbourne, the Australian pavilion at the 2010 Venice Biennale will be a standout attraction.”
The Creative Directors said those shortlisted were far more than hypotheticals. Each uniquely responded to future challenges including population growth, environmental degradation, dwindling resources and climate change. Each entry reflected a highly creative diversity of possibilities fused with a diversity of design that mapped out possible cities of the future.